A pure, medium-dark primary green.
Similar to
No reviewed photograph is linked to this exact shade yet. A photograph would only ever approximate this HEX value — lighting, camera processing and display calibration all affect the colours a photo shows. In the meantime, these related pages give real context for where this colour family shows up.
Green appears in the following curated historical/cultural palettes.
Ancient Egyptian pigments
Tomb and temple wall painting
Third millennium BCE onward · Egypt
These HEX values are a modern digital approximation for comparison — they cannot exactly reproduce a historical physical pigment, dye or dyed cloth, whose appearance also varied by batch, ageing and the light it was viewed in.
Heraldic colour palette
European heraldry (coats of arms)
12th century onward · Europe
These HEX values are a modern digital approximation for comparison — they cannot exactly reproduce a historical physical pigment, dye or dyed cloth, whose appearance also varied by batch, ageing and the light it was viewed in.
Suffragette protest palette
Women's Social and Political Union campaign material
Early 20th century · United Kingdom
These HEX values are a modern digital approximation for comparison — they cannot exactly reproduce a historical physical pigment, dye or dyed cloth, whose appearance also varied by batch, ageing and the light it was viewed in.
Subtle, bold, analogous, complementary and neutral options — established design convention, not a guarantee of visual success in every context.
Complementary
Opposite hues (180° apart) for maximum hue contrast.
Analogous
Neighbouring hues on the colour wheel for a low-contrast, harmonious feel.
Analogous
Neighbouring hues on the colour wheel for a low-contrast, harmonious feel.
Triadic
Three hues evenly spaced around the colour wheel for balanced contrast.
Triadic
Three hues evenly spaced around the colour wheel for balanced contrast.
Split-complementary
The two hues bracketing the complement, for contrast with less tension.
Split-complementary
The two hues bracketing the complement, for contrast with less tension.
Tetradic
Four hues at 90° steps around the colour wheel for a rich, varied palette.
Tetradic
Four hues at 90° steps around the colour wheel for a rich, varied palette.
Tetradic
Four hues at 90° steps around the colour wheel for a rich, varied palette.
Monochromatic
Same hue at different lightness levels, for a cohesive tonal palette.
Monochromatic
Same hue at different lightness levels, for a cohesive tonal palette.
Monochromatic
Same hue at different lightness levels, for a cohesive tonal palette.
Monochromatic
Same hue at different lightness levels, for a cohesive tonal palette.
For an accessible, low-contrast-risk pairing, monochromatic (same-hue) combinations are usually the safest starting point — see the harmonies above.
Mood
Inherited from the green hue family, not specifically documented about this exact shade — see methodology.
Each of these is a separately scoped, separately sourced tradition — shown here because this colour appears in it, not because they share one meaning.
Calculated directional adjustments. Some directions converge on the same result from this starting colour — shown as one merged card with an explanation, not repeated duplicates. Generated shades link to a curated profile only when one is close enough.
Lighter
Lightness increased
No curated profile yet
Darker
Lightness decreased
No curated profile yet
Warmer & Redder & Yellower
Hue rotated toward warm (red/orange) From this starting colour, moving warmer and redder and yellower converges on the same calculated result.
Cooler & Bluer
Hue rotated toward cool (blue) From this starting colour, moving cooler and bluer converges on the same calculated result.
Greener & More saturated
Hue rotated toward green From this starting colour, moving greener and more saturated converges on the same calculated result. This is close to the source colour itself — there is limited room left to move greener from here.
More muted
Saturation softened
CMYK is an approximate device conversion, not a calibrated print value — see methodology.
Convert this colour to another format →
CSS/web-standard named colour value.
vs. white text
5.14:1 — AA
vs. black text
4.09:1 — fails
Confidence: medium · Qualification: identity_only, technically_qualified, curated_profile_eligible, search_index_eligible, comparison_eligible
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