A muted, medium blue with a soft grey cast.
Similar to
Colours in photographs vary with lighting, material, camera processing and screen calibration — the named colours below are visual approximations, not exact measurements.

Blue Jay feathers contain no blue pigment whatsoever. Microscopic air pockets in the feather's structure scatter short wavelengths of light back as blue — the same reason a clear sky looks blue rather than colourless.
Like the Blue Morpho and the peacock, a Blue Jay's blue is structural, not pigment: a crushed or backlit feather shows no blue at all."Blue Jay" by IzzyMPhotography, CC BY-SA 4.0, via Wikimedia CommonsA north-facing window (in the Northern Hemisphere) never receives direct sun — only indirect skylight, which is itself more blue-shifted than direct sunlight. This soft, diffuse, slightly cool light is genuinely different in colour temperature from the warm, direct light a south-facing window gets, which is why the same paint reads cooler and flatter in a north-facing room.
In practice: A colour that looks warm and inviting on a south-facing shop wall may read noticeably cooler in a north-facing room — always test a sample in the room's own light, and see the north-facing rooms lighting guide for how to compensate.
Dusty Blue appears in the following curated Interiors room palettes.
Calm neutral bedroom
Restful, understated, easy to live with long-term.
Deliberately low-contrast throughout — the palette's calm comes from restraint, not from a strong focal contrast.
Greige can lean noticeably cooler in a north-facing bedroom — see the north-facing rooms lighting guide before committing to a large wall.
Coastal bathroom
Fresh, clean, quietly maritime.
Low-to-moderate contrast; the blue accent is the only saturated note in the room.
Bathrooms are frequently lit by artificial light alone — check the blue accent under your actual bulb colour temperature.
Small room, pale neutral scheme
Open, airy, avoids visually shrinking a compact space.
Deliberately minimal contrast throughout — this palette relies on lack of visual interruption, not on a striking focal point.
A pale scheme still needs enough actual light to read as bright — in a genuinely dark small room, see the low-natural-light guide as well.
South-facing cool balance
Tempers strong, warm direct sun with cooler colour.
Cool, moderate-contrast scheme intended to offset the room's own warm light rather than to be visually dramatic on its own.
This palette assumes typical Northern Hemisphere south-facing light (strong, warm direct sun); in the Southern Hemisphere the equivalent orientation is north-facing — see the lighting guide's hemisphere note. Check the wall colour specifically at midday, when direct sun is strongest.
Concrete and blush modern living room
Contemporary, soft-meets-industrial.
Warm wall against cool floor and hardware — a deliberate temperature contrast rather than a value contrast.
Polished concrete is highly reflective — expect real glare and colour-bounce effects a flat swatch can't show; view a sample under the room's actual lighting.
Concrete's real colour varies considerably by mix, sealant and polish level — treat grey here as a general direction, not a specific concrete's exact tone.
Subtle, bold, analogous, complementary and neutral options — established design convention, not a guarantee of visual success in every context.
Complementary
Opposite hues (180° apart) for maximum hue contrast.
Analogous
Neighbouring hues on the colour wheel for a low-contrast, harmonious feel.
Analogous
Neighbouring hues on the colour wheel for a low-contrast, harmonious feel.
Triadic
Three hues evenly spaced around the colour wheel for balanced contrast.
Triadic
Three hues evenly spaced around the colour wheel for balanced contrast.
Split-complementary
The two hues bracketing the complement, for contrast with less tension.
Split-complementary
The two hues bracketing the complement, for contrast with less tension.
Tetradic
Four hues at 90° steps around the colour wheel for a rich, varied palette.
Tetradic
Four hues at 90° steps around the colour wheel for a rich, varied palette.
Tetradic
Four hues at 90° steps around the colour wheel for a rich, varied palette.
Monochromatic
Same hue at different lightness levels, for a cohesive tonal palette.
Monochromatic
Same hue at different lightness levels, for a cohesive tonal palette.
Monochromatic
Same hue at different lightness levels, for a cohesive tonal palette.
Monochromatic
Same hue at different lightness levels, for a cohesive tonal palette.
No curated profile yet
For an accessible, low-contrast-risk pairing, monochromatic (same-hue) combinations are usually the safest starting point — see the harmonies above.
Interiors
Inherited from the blue hue family, not specifically documented about this exact shade — see methodology.
Calculated directional adjustments. Some directions converge on the same result from this starting colour — shown as one merged card with an explanation, not repeated duplicates. Generated shades link to a curated profile only when one is close enough.
Lighter
Lightness increased
Darker
Lightness decreased
Warmer & Greener & Yellower
Hue rotated toward warm (red/orange) From this starting colour, moving warmer and greener and yellower converges on the same calculated result.
Cooler
Hue rotated toward cool (blue)
Bluer & Redder
Hue rotated toward blue From this starting colour, moving bluer and redder converges on the same calculated result.
More muted
Saturation softened
More saturated
Saturation increased
CMYK is an approximate device conversion, not a calibrated print value — see methodology.
Convert this colour to another format →
Common design-industry reference value for the named colour.
vs. white text
3.00:1 — fails
vs. black text
6.99:1 — AA
Confidence: medium · Qualification: identity_only, technically_qualified, curated_profile_eligible, search_index_eligible, comparison_eligible
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