A medium, cool grey with a faint blue undertone.
Similar to
Colours in photographs vary with lighting, material, camera processing and screen calibration — the named colours below are visual approximations, not exact measurements.

Woven silk holds fine pattern detail sharply, but its true sheen only shows in person or in motion — a flat scan like this one represents colour more reliably than shine.
This scanned close-up is flatter and more evenly lit than silk usually appears in person — real silk's directional sheen means the same fabric looks brighter and more saturated at some angles than a flatbed scan can show."No1 paisley pocketsquare silk, detail, front" by Giftzwerg 88, CC BY-SA 3.0, via Wikimedia CommonsA glossy or polished surface reflects light specularly (in a concentrated, mirror-like way) rather than scattering it evenly the way a matte surface does. This means a glossy surface's apparent colour and brightness change sharply depending on the exact viewing angle and what's nearby to reflect — the same underlying colour can look far lighter, darker or more saturated depending on where the highlight falls.
In practice: Judge a gloss or high-sheen finish sample from more than one angle and under more than one light position before deciding — a flat photo of a glossy swatch is one of the least reliable ways to judge how the finish will actually look.
Storm Grey appears in the following curated Fashion outfit palettes.
Cool monochrome office
Sharp, professional, unfussy.
Cool greys can look flat under fluorescent office lighting specifically — worth checking the combination under your actual workplace lighting.
Subtle, bold, analogous, complementary and neutral options — established design convention, not a guarantee of visual success in every context.
Complementary
Opposite hues (180° apart) for maximum hue contrast.
Analogous
Neighbouring hues on the colour wheel for a low-contrast, harmonious feel.
Analogous
Neighbouring hues on the colour wheel for a low-contrast, harmonious feel.
Triadic
Three hues evenly spaced around the colour wheel for balanced contrast.
Triadic
Three hues evenly spaced around the colour wheel for balanced contrast.
Split-complementary
The two hues bracketing the complement, for contrast with less tension.
Split-complementary
The two hues bracketing the complement, for contrast with less tension.
Tetradic
Four hues at 90° steps around the colour wheel for a rich, varied palette.
Tetradic
Four hues at 90° steps around the colour wheel for a rich, varied palette.
Tetradic
Four hues at 90° steps around the colour wheel for a rich, varied palette.
No curated profile yet
Monochromatic
Same hue at different lightness levels, for a cohesive tonal palette.
Monochromatic
Same hue at different lightness levels, for a cohesive tonal palette.
Monochromatic
Same hue at different lightness levels, for a cohesive tonal palette.
No curated profile yet
Monochromatic
Same hue at different lightness levels, for a cohesive tonal palette.
For an accessible, low-contrast-risk pairing, monochromatic (same-hue) combinations are usually the safest starting point — see the harmonies above.
No documented mood, cultural or historical claims for this exact shade yet.
Inherited from the neutral hue family, not specifically documented about this exact shade — see methodology.
Calculated directional adjustments. Some directions converge on the same result from this starting colour — shown as one merged card with an explanation, not repeated duplicates. Generated shades link to a curated profile only when one is close enough.
Lighter
Lightness increased
Darker
Lightness decreased
Warmer & Greener & Yellower
Hue rotated toward warm (red/orange) From this starting colour, moving warmer and greener and yellower converges on the same calculated result.
Cooler & Bluer & Redder
Hue rotated toward cool (blue) From this starting colour, moving cooler and bluer and redder converges on the same calculated result.
More muted
Saturation softened
More saturated
Saturation increased
CMYK is an approximate device conversion, not a calibrated print value — see methodology.
Convert this colour to another format →
Common design-industry reference value for the named colour.
vs. white text
4.43:1 — fails
vs. black text
4.74:1 — AA
Confidence: medium · Qualification: identity_only, technically_qualified
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