Landscape colour is shaped by climate, vegetation, mineral content and light — deserts tend toward warm tans and ochres, forests toward green and brown, oceans toward blue and teal, and tundra toward muted greys, browns and, seasonally, white.

This boulder's colour is hematite, iron(III) oxide — the same mineral that gives red ochre earth pigments their colour, and the reason iron-rich soil so often looks red or rust-brown.
The original photograph includes roadside signage, snow and a photographer's shadow around the boulder; this palette was picked from the rock surface only, not the surrounding scene."Bengala Akanesawa red rock" by Aomorikuma, CC BY-SA 4.0, via Wikimedia Commons
This isn't just a colour on the copper fixture — the same copper carbonate that turns the metal itself green has washed down and tinted the stone beneath it, a visible record of ongoing oxidation.
The exact shade of verdigris varies with humidity, pollution and how long weathering has continued — this is one specimen at one point in its exposure, not a fixed reference colour."Verdigris" by Alex Liivet, CC0, via Wikimedia Commons
Near sunset, sunlight travels through far more atmosphere to reach an observer, and almost all of the blue light is scattered away before it arrives — what's left is the orange and red seen here, the same Rayleigh scattering that makes the midday sky blue.
The same scattering effect that makes the daytime sky blue makes a low sun look orange and red — this is one specific sunset, not a fixed 'sunset colour'."Fiery skies" by Chris Hearn, CC BY-SA 2.0, via Wikimedia CommonsParticles or molecules much smaller than the wavelength of light scatter shorter (blue) wavelengths far more than longer (red) ones — the reason a clear daytime sky looks blue and a low sun looks orange or red.
A material absorbs most wavelengths of light and reflects or transmits only a narrow band — deep water, for example, absorbs red light far more readily than blue, which is part of why open ocean water looks blue.
A molecule in the tissue absorbs some wavelengths of light and reflects others — the reflected wavelengths are the colour seen. Chlorophyll, carotenoids and melanin are the most common examples.
Common misconception: Not every vivid natural colour is a pigment — several of the most striking blues and greens in animals are structural colour instead, which looks similar but works completely differently.
Trace metal ions or compounds within a mineral's crystal structure absorb specific wavelengths of light, giving the mineral its characteristic colour — the same chemistry behind natural earth pigments like ochre.
Desert landscapes are frequently dominated by warm tan, ochre and terracotta tones, largely reflecting the mineral content of exposed sand and rock rather than vegetation, which is typically sparse.
Landscapes · confidence: medium
Temperate and tropical forest landscapes are dominated by green foliage during the growing season, with brown bark and soil tones providing contrast beneath the canopy.
Landscapes · confidence: high
Open ocean water commonly appears deep blue, while shallower coastal water often appears more turquoise or teal, reflecting both water depth and the reflective sea floor beneath it.
Water · confidence: high
Tundra landscapes tend toward muted grey, brown and olive tones for most of the year, with snow cover producing white for extended seasonal periods and a brief but often vivid flush of colour during the short growing season.
Landscapes · confidence: medium
Frequency and rarity claims above are scoped to a specific domain, geography or taxonomic group — none are presented as a single universal ranking. See methodology.