A muted blue-green, also a traditional cobalt-based pigment name.
Similar to
Colours in photographs vary with lighting, material, camera processing and screen calibration — the named colours below are visual approximations, not exact measurements.

This isn't just a colour on the copper fixture — the same copper carbonate that turns the metal itself green has washed down and tinted the stone beneath it, a visible record of ongoing oxidation.
The exact shade of verdigris varies with humidity, pollution and how long weathering has continued — this is one specimen at one point in its exposure, not a fixed reference colour."Verdigris" by Alex Liivet, CC0, via Wikimedia CommonsVerdigris forms as copper reacts slowly with oxygen, moisture, carbon dioxide and airborne sulphur compounds — a process typically taking years to decades outdoors, not a sudden change. The exact shade and speed depend on local climate and pollution, which is why two copper structures in different cities can weather to noticeably different greens on different timelines.
In practice: There is no single 'verdigris green' reference colour — the same starting material weathers differently depending on where it is, which matters when specifying an aged-copper finish.
Subtle, bold, analogous, complementary and neutral options — established design convention, not a guarantee of visual success in every context.
Complementary
Opposite hues (180° apart) for maximum hue contrast.
No curated profile yet
Analogous
Neighbouring hues on the colour wheel for a low-contrast, harmonious feel.
Analogous
Neighbouring hues on the colour wheel for a low-contrast, harmonious feel.
Triadic
Three hues evenly spaced around the colour wheel for balanced contrast.
No curated profile yet
Triadic
Three hues evenly spaced around the colour wheel for balanced contrast.
Split-complementary
The two hues bracketing the complement, for contrast with less tension.
No curated profile yet
Split-complementary
The two hues bracketing the complement, for contrast with less tension.
Tetradic
Four hues at 90° steps around the colour wheel for a rich, varied palette.
Tetradic
Four hues at 90° steps around the colour wheel for a rich, varied palette.
No curated profile yet
Tetradic
Four hues at 90° steps around the colour wheel for a rich, varied palette.
Monochromatic
Same hue at different lightness levels, for a cohesive tonal palette.
Monochromatic
Same hue at different lightness levels, for a cohesive tonal palette.
Monochromatic
Same hue at different lightness levels, for a cohesive tonal palette.
Monochromatic
Same hue at different lightness levels, for a cohesive tonal palette.
For an accessible, low-contrast-risk pairing, monochromatic (same-hue) combinations are usually the safest starting point — see the harmonies above.
No documented mood, cultural or historical claims for this exact shade yet.
Inherited from the green hue family, not specifically documented about this exact shade — see methodology.
Calculated directional adjustments. Some directions converge on the same result from this starting colour — shown as one merged card with an explanation, not repeated duplicates. Generated shades link to a curated profile only when one is close enough.
Lighter
Lightness increased
Darker
Lightness decreased
Warmer & Greener & Redder & Yellower
Hue rotated toward warm (red/orange) From this starting colour, moving warmer and greener and redder and yellower converges on the same calculated result.
Cooler & Bluer
Hue rotated toward cool (blue) From this starting colour, moving cooler and bluer converges on the same calculated result.
More muted
Saturation softened
More saturated
Saturation increased
CMYK is an approximate device conversion, not a calibrated print value — see methodology.
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Common pigment-history reference value for the named colour.
vs. white text
3.50:1 — fails
vs. black text
6.00:1 — AA
Confidence: medium · Qualification: identity_only, technically_qualified
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