Earth tones and colours with documented historical use are often chosen to suit older architecture.
Filtered for earth-tone colours, or colours with a documented historical-use claim.
Period colour schemes were built around the pigments available and affordable at the time: earth pigments such as ochres and umbers, lime-based whites, and a small number of costlier greens and blues. The colours that suit older houses today tend to share that palette's character — slightly muted, often warm, rarely the high-chroma brights of modern synthetic pigments — and they sit comfortably against original timber, plaster and brick.
What the filter selected: 44 of the catalogue’s colours pass this test. Their relative luminance — roughly the share of light a surface in that colour would reflect — runs from 3% to 57%, with a median of 17%. 23 lean warm and 9 lean cool.
Ecru
neutral · medium
Taupe
neutral · deep
Terracotta
orange · medium
Sage Green
green · medium
Chocolate Brown
orange · deep
Chestnut
red · deep
Umber
orange · deep
Camel
orange · medium
Dusty Rose
pink · medium
Rose Gold
pink · medium
Clay
orange · medium
Moss Green
green · medium
Vermilion
red · medium
Magenta
pink · medium
Ochre
yellow · medium
Royal Blue
blue · medium
Prussian Blue
blue · very deep
Indigo
blue · deep
International Klein Blue
blue · deep
Purple
purple · deep
Tyrian Purple
purple · deep
Chocolate Brown
orange · deep
Chestnut
red · deep
Sienna
orange · medium
Undertone caution: two colours in the same family can still read very differently once on a large surface, depending on their undertone — check against your existing flooring, furniture and fittings, not the swatch alone.
Lighting caveat: a colour can look noticeably warmer or cooler depending on natural and artificial light through the day — see the lighting guide for what specifically changes and why.
Finish caveat: matt, eggshell and gloss finishes reflect light differently, which can make the same colour read lighter, darker or more saturated depending on the finish chosen.
Always view a physical sample in the actual room, at different times of day, before committing to a large surface.