A muted pink-toned metallic, popularised by jewellery and consumer electronics finishes.
Similar to
Colours in photographs vary with lighting, material, camera processing and screen calibration — the named colours below are visual approximations, not exact measurements.

Rose gold gets its pink-orange cast from copper alloyed into the gold — more copper produces a stronger pink, which is why 'rose gold' varies noticeably between pieces and manufacturers.
This ring was photographed against a warm-toned surface with brightness close to the metal's own colour, which makes an automated whole-frame scan a poor guide to the ring alone — this palette was reviewed by hand, though the low contrast between ring and background limits how precisely the band's own colour can be isolated from a photo."Rose Gold Diamond Engagement Ring" by Petragems, CC BY-SA 4.0, via Wikimedia CommonsSubtle, bold, analogous, complementary and neutral options — established design convention, not a guarantee of visual success in every context.
Complementary
Opposite hues (180° apart) for maximum hue contrast.
Analogous
Neighbouring hues on the colour wheel for a low-contrast, harmonious feel.
Analogous
Neighbouring hues on the colour wheel for a low-contrast, harmonious feel.
Triadic
Three hues evenly spaced around the colour wheel for balanced contrast.
Triadic
Three hues evenly spaced around the colour wheel for balanced contrast.
No curated profile yet
Split-complementary
The two hues bracketing the complement, for contrast with less tension.
Split-complementary
The two hues bracketing the complement, for contrast with less tension.
Tetradic
Four hues at 90° steps around the colour wheel for a rich, varied palette.
Tetradic
Four hues at 90° steps around the colour wheel for a rich, varied palette.
Tetradic
Four hues at 90° steps around the colour wheel for a rich, varied palette.
Monochromatic
Same hue at different lightness levels, for a cohesive tonal palette.
Monochromatic
Same hue at different lightness levels, for a cohesive tonal palette.
Monochromatic
Same hue at different lightness levels, for a cohesive tonal palette.
Monochromatic
Same hue at different lightness levels, for a cohesive tonal palette.
For an accessible, low-contrast-risk pairing, monochromatic (same-hue) combinations are usually the safest starting point — see the harmonies above.
Branding
Inherited from the pink hue family, not specifically documented about this exact shade — see methodology.
Calculated directional adjustments. Some directions converge on the same result from this starting colour — shown as one merged card with an explanation, not repeated duplicates. Generated shades link to a curated profile only when one is close enough.
Lighter
Lightness increased
Darker
Lightness decreased
Warmer & Greener & Yellower
Hue rotated toward warm (red/orange) From this starting colour, moving warmer and greener and yellower converges on the same calculated result.
Cooler & Bluer
Hue rotated toward cool (blue) From this starting colour, moving cooler and bluer converges on the same calculated result.
Redder
Hue rotated toward red
More muted
Saturation softened
More saturated
Saturation increased
CMYK is an approximate device conversion, not a calibrated print value — see methodology.
Convert this colour to another format →
Widely cited reference value from consumer product finishes.
vs. white text
3.80:1 — fails
vs. black text
5.52:1 — AA
Confidence: medium · Qualification: identity_only, technically_qualified, curated_profile_eligible, search_index_eligible, comparison_eligible
Spotted something wrong? Suggest a correction.