How colour is captured, graded and delivered on screen: film stocks and photochemical timing, the digital intermediate, log encoding and scene-referred working, ACES, HDR and broadcast delivery, and the documented colour choices of particular productions.
Claims about a named production are made only where a published source records them, and measured or official production information is kept apart from visual analysis and from cultural interpretation. A browser cannot reproduce a graded image; nothing here is a calibrated reference.
12 topics · 57 evidence-labelled claims · 48 sources
Film stock, sensors, log curves and scene-referred colour.
Timing, the digital intermediate, LUTs, ACES and colour management.
SDR, HDR, broadcast standards and calibration.
What is on record about the colour of particular films and series.